Real Life is on winter break. We’ve put together eight SPECIAL ISSUES for your consideration. We’ll publish one a day, each selected by an editor and based on a thematic topic. Click the image below for a pdf. And please enjoy these mid-season reruns until we return to our usual scheduled program.

Repetition has a way of meting out time; in recollection I have a way of meeting myself again, and giving me, as I do, the time of day. Restatements of a theme hold immense sway in figuring out why things, happening as they did, ever induced rapture or heartbreak, turning a lifelong project into a more digestible course. Histories demand, with tools or states altered, indulgence in reprisal, recasting, remembrance and riff. Music wouldn’t be without memory; a record reviewed later can overtake olfaction in its talent for association; looped images can live somewhere between fact and déjà vu. In setting oneself on repeat it’s intensity we’re after; as years click by, housework seems more real that is never adequately put to rest. “No one ever told us we had to study our lives, make of our lives a study, as if learning natural history or music, that we should begin with the simple exercises first,” writes Adrienne Rich in “Transcendental Etude.” A more seasoned tail-devourer than I might attest that segments are always found changed under skin already consumed, split or shed. —Soraya King, Editor


“Against the Clock” by Maya Binyam

“Time Capsules,” by Fuck Theory

“Watch Again,” by Lydia Kiesling

“Instant Replay,” by Monica Torres

Soraya King is an editor at Real Life. She lives in Los Angeles.